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The Photographer of Freedom

Bouali Photo Exhibition: Icons of revolution in the Stasi prison




Previously he easily photographed landscapes - but then stopped Hamid Eddine Bouali down the protests against the Tunisian dictator Ben Ali with the camera and created lasting images of the revolution. Now they will be shown in Berlin - just in the Stasi Memorial in Berlin Hohenschönhausen.

The young woman rips open her mouth and hands in the air. Desperately, cheering, combative. She wears a large Tunisian flag, and the body of a painted white shirt. "Tunisia's mine and you and all," it says.

Even Hamid Eddine Bouali was there on that 19th February, at the demonstration for a free and secular country. The "Tunisian Victory", as the photo is called, will go down as the face of the revolution in history. But it is still part of the "Révolution à la tunisienne - le fil rouge" (Tunisian revolution - the thread), which could be seen in spring in Tunisia. Larger than life shone the red-white picture on a poster in front of the Mad'Art, the cultural center of the town of Carthage, 20 kilometers from Tunis. Behind, in a spacious room, which showed large pictures of what the photographer saw Bouali, as it is in January and February with its Lumix blended into the crowd.

"I've never seen so much in so little time," says the photographer. This Bouali is already 50 years old. He is small, almost frail, he has a mustache and thinning hair. He curated exhibitions, and has taught the first photo of Tunis club was founded. Before the revolution he photographed landscapes, simply wanted a "nice photographer" be. Late as 13 January he blogged enthusiastically of the victory of his people, as the dictator Ben Ali and his subjects freedom promised reforms. It was his last political commentary. Then decided Bouali, only to still speak with pictures - even though at the beginning of a colleague, the photographer Lucas Mebrouk Dolega, lost his life after he was hit at close range by a tear gas canister in the face. He had gone off very sober, tells Bouali, with his camera and the tear gas mask. The emotions he had left at home: "If a surgeon is guided by feelings, he can not operate It's the same with me.."

Barbed wire at the Place de Kasbah

The revolution has made large Hamid Eddine Bouali. Before he knew no one, not in Tunisia and elsewhere. Now his pictures move around the world to London to New York - and Berlin. As of Monday his pictures hang in the Memorial Hohenschönhausen, a former Stasi prison. Hubertus Knabe, director of the memorial, knowledgeable with the investigation of authoritarian systems. Even if there had fraternized with the German case, no wall demonstrators with soldiers, "I remember the photos to the upheaval in Eastern Europe."

On a trip to Tunisia in April, the historian who discovered the photos of Bouali, now he shows it in Hohenschönhausen . The photo of the protesters about that on 14 January , the day when Ben Ali fled to Saudi Arabia to carry the coffin of a slain rebels through the crowd. Or the "horsemen of the Apocalypse": Against a wall of tear gas is a garbage can with graffiti, the fog is distinguished from a policeman in black uniforms and combat boots, the visor of his helmet, he has folded up in the hands of a tear gas gun, which he directly be directed into the camera seems. Or the photo of the young couple who camped at the first occupation of the Place de Kasbah, along with countless young people who had come from the poorer parts of the country with a caravan to Tunis.

Nine months later, the Place de Kasbah is still cordoned off with barbed wire, soldiers with armored car guard him, the graffiti on the walls are painted over. Also, much remains hidden behind the walls. "There has probably been a big cleanup," said Knabe. The Stasi scouts from Berlin was the beginning of October the first German to win allowed insights into the secret past: In the rooms of the Interior Ministry in downtown freshly tortured detainee, to then be transferred to the Stasi. A place that did not exist officially.

Still occupy key positions in many old cadres - camouflage and concealment are as inevitable. "The walls are repainted, the floors scrubbed perfectly," says a boy from the cells. "The Interior Ministry spokesman said he had no idea where the files had," said Knabe. And yet the traces of the horrors are not to be overlooked. On the ceiling or hanging the hook for the "Poulet Roti", the barbecued chicken. With this method of torture, the prisoners hung, tied to poles and turned into unconsciousness on its own axis.

Tunisians have the truth "ourselves quite well"

Boy tries to convince the Tunisians from making the former prison into a memorial. Because of his experience in education of unjust regimes, he also advises the Tunisian Commission to establish the truth. "There are always the same four questions when a dictatorship collapses," says the historian, what happens to the perpetrators? As compensation to the victims? How to find the truth? And how they are carried into society?

Compared with the GDR, is a boy, "the Tunisians have ourselves quite so good." They would have forbidden such as the party of Ben Ali and immediately shut the party headquarters, membership card indexes have it - unlike the SED / PDS - can not disappear by and by.

And the things in Tunisia have also changed after the revolution quickly and continuously. A dozen independent radio stations and six television channels have obtained broadcasting permits, always appear new newspapers. People read, hear, discuss, at home, at work and on the road. Everything that has been displaced for years to break. Art, too, goes beyond its former limits. It was first performed at the Berliner Festspiele, the revolutionary song "Amnesia" of Tunisian theater Fadhel Jaïbi maker.

But again and again tilts the mood of disappointment and disillusionment to, even when artists and intellectuals. Large waves struck mainly the prevention of violent religious criticism of the performance of the film "Ni ni Maître Allah" by Nadia Al-Fani. Hundreds of Islamic militants chanted on 29 June, before the movie studio "AfricArt" Tunis "Allahu Akbar" - "God is great," forcibly penetrated into the cinema hall and beat up the owner. "It is dangerous when the new freedom is being undermined from within," says a boy.

It was not necessarily reassuring , that al-Nahda was silent until long before they were finally, albeit convoluted, distanced from the events. Al-Nahda, the Islamist party , which in the elections on Sunday has won well . But a turnout of around 90 percent shows that the struggle against dictatorships, is history. 23.10.2011 for the Tunisians who had what for the East Germans of the 18th March 1990 was: the first free elections, the state's history. After the overthrow of the president, it was the second historic event this year. And the first time that Hamediddine Bouali was allowed to choose freely.

http://www.spiegel.de

The children of Sodom


They live in garbage and trash from: On the outskirts of Accra in Ghana is the biggest electronic waste landfill in the world. Land here televisions, computers and refrigerators that Europe no longer needs. Kai Löffelbein has documented the lives of people at the dump - and the UNICEF "Photo of the Year" made.


Hamburg - It's a warm day in September, when Kai Löffelbein met the boy who will make him famous. The remains of Western progress gammeln here on the edge of Accra, to Ghana's capital, preparing for a landfill located in the dust, in the soot of Agbogbloshie, a cemetery of the art. Monitors, keyboards, cables, hard drives, once acquired, to the people in Europe to facilitate the life lead here a life after death and serve as hundreds of livelihood. You will be eviscerated by young people, their livelihoods and living place is the garbage dump. Inside the outdated electronics has valuable metals. What is needed is not more to life in the West, here is just good enough.

Travels as Kai Löffelbein from Hanover to Accra, he knows the numbers: Only 30 percent of imported from the West, units are still functional - even though the Basel Convention has banned from 1989 to export electronic waste to countries that are not members of the OECD are. Only 100,000 tons of obsolete technology are still exported annually from Germany to non-European countries, an average household ranks in this country every two years from the PC. Old electronics are illegally used in conjunction with, but still usable equipment to Africa, shipped - under the label of development aid . Löffelbein wants to make the search for the relics of the accepting life.

His journey, he now owes the biggest prize of his career. The image of a boy from Agbogbloshie by the Children's Fund Unicef ​​voted "Photo of the Year" in 2011. Löffelbein is the first German to win the competition.

"The mood is spooky"

His picture shows a boy in a tracksuit, who hurls a television on the floor. He stands in the midst of scrap plastic sandals, dark smoke obscured the sky. "I stood for quite a while on the court, it was the fourth or fifth day I spent there. The boy smiled at me, nodded to us briefly, then he threw the television again and again on the ground," says Löffelbein. The picture was taken at 14.27 clock and eleven seconds. A moment in time captured for eternity. A snapshot that represents the lives of hundreds.

"Other journalists spoke of Agbogbloshie always as 'gateway to hell,'" says Löffelbein. "Only when I arrived, I understood what they meant." At the landfill fire burning all day, the children and young people aflame with rubber sheathing from the cable to expose their precious interior. On the day when the photo was taken, also burned a stack of car tires, in which steel was processed. The landfill is the greatest place in the electronic world.

".. The smoke over the field does not peel off, the mood is spooky, often you can see two feet wide, the mist spewing from people who have the TV or monitors on the head - and he swallowed it again too."

Agbogbloshie is a place of sand, the poisons that penetrate from the devices, the ground water flow. Researchers at the United Nations University (UNU) claims to have found in soil samples, a concentration of heavy metals, up to 50 times more than is the current value is considered as safe . Agbogbloshie feeds hundreds - and poisoned them.

The people are united by the dream of a better life

$ 20 to earn the technical gravedigger in the month, usually there are teenagers and children as young as six years. Many of them come from the poor northern Ghana, they live in the adjacent slum. People have called him "Sodom and Gomorrah" given. Spoon the leg series, which now also comes from the award-winning image is, in accordance "Kids of Sodom."

Only a river separates the village from the landfill. "People have told me that he was in the past, very rich in fish," says the photographer. "Now the water is black, in his swim computer monitors and refrigerators."

In the hierarchy of the world refuse to take the children to the lowest place. They make all the waste in the most dirty work. The metals that find them and burn freely, they sell to middlemen.

The landfill is one's own small universe, there is some semblance of order into the chaos. Dealers come to Agbogbloshie, they make their money on the approximately four square kilometer area. They sell fruits, vegetables, water packed in small bags. Cool with it, the children from their burning Sodom cord. There is even a hairdresser "or rather, what is meant here by a hairdresser," says Löffelbein. A man endowed with a pair of scissors and an electric razor. Herders graze their cows on the landfill. In the garbage of the western world has created a second world.

"When I look at the pictures today, I have the stench of burnt plastic still on the nose. In the evening, when I came home, my soot-black skin."
Löffelbein has spoken with many of the people of Agbogbloshie. "They're all there because they have a dream of a better life." Some want to complete their education, others hope to be able to leave the landfill sometime - or even Africa.

The boy, whom he photographed that September noon, has sought Kai Löffelbein several days. He has never again saw his name he does not know

Lights, Camera, Action . . . Design?!?

by: ARA

(ARA) - “Reality” shows have saturated television programming, especially in the area of home and garden design. You can “trade spaces” with a neighbor, enlist a professional to recreate a high-end designer room on a budget or secretly call in a design team to remake a room as a surprise for a loved one. This makes for compelling television watching . . . especially when the transformed spaces and the shocked reactions of the room makeover “victims” are revealed. But these reality shows are not real. They do little to showcase the benefits of working with professional interior designers who can help you “trade spaces,” “change rooms” or “design on a dime,” but better. 

Although some design show hosts have a formal education and professional background in interior design, many do not. The professional design talent would be the first to tell you that the magical world of television, with its strategic editing and instant gratification, is far different from the real world of interior design where good results require careful planning, patience and expectations. 

Although a design show’s budget may be $500 to $1,000, that amount doesn’t include the cost of hiring and using professional labor. These shows have designers and multiple contractors on staff who make sure the inexpensive supplies are translated into aesthetically pleasing (although not necessarily functional, practical or safe) furniture, accessories, window treatments and wallcoverings. 

After watching episodes of these shows, some viewers may mistakenly believe that any home improvement project can be accomplished within a very limited price range and a smidgen of time, creating unrealistic expectations that can only lead to disappointment. Disillusionment will turn into delight, however, if you take the time to find and hire the right professional interior designer who can develop a design solution and practical budget specific to your needs. 

Qualified interior designers can make a huge impact when it comes to home renovation and remodeling. Designers are creative problem solvers who can analyze lifestyles and needs, optimize traffic flow, organize and effectively use available spaces, select color palettes, and interpret personal preferences. And unlike most of the design reality shows, professional designers listen and adhere to their clients’ needs and preferences before recommending a design course to take. 

If you are an avid “do-it-yourselfer,” a designer can set a cohesive renovation plan so you can tackle your own project efficiently, realistically and on budget. When a job is more complicated, a designer can assemble a team of specialists, provide access to a variety of resources that you might not be familiar with and seamlessly manage your entire project from beginning to end. Designers can be consulted for their skills and expertise at any level of need or any size or scope of project. You’ll find that the collaboration between homeowner and designer leads to tremendous results, which will exceed expectations. Best of all, you’ll be surprised at how little designer fees add to the overall renovation budget, especially when you factor in eliminating the risk of costly mistakes. 

Design reality shows have made the world of interior design accessible to viewers of all ages, income levels and cultures. People are learning that a well-designed space increases functionality and contributes to a family’s sense of well being. You should view these shows as a source of inspiration and entertainment, but work with a professional interior designer to create a home you can live in and enjoy for years to come. 

To find out how to locate a qualified interior designer in your community, check out the American Society of Interior Designers’ free Worldwide Referral Service at www.interiors.org. To learn how to choose and work with an interior designer, go to the ASID Web site at www.asid.org. 

Courtesy of ARA Content 

About the author:
Courtesy of ARA Content

Twelve photographies in black and white that do not finish counting their history.

There are pictures that are self-explanatory and others who need a little push. Snapshots that are left out of scraps of frame you want to tell the story. They are great works of photojournalism forgotten, graphic evidence of unusual events but beg a little clarification. Then a walk anachronistic by a small collection of them, black and white. I recommend imagine, before reading, the context of each of the suggestive or shocking images. 


The Thief of charity.

1998. Sudan . Refugee camp Ajiep . Over 100 people die each day waiting for a ration of rice to put in their mouth. The worst and most neglected crisis of hunger in the history of African country is at its peak. The international community, after months of procrastination, get help to enter the country. British photographer Tom Stoddart came with a Doctors Without Borders drive to the camp. There, in one of the long lines to receive charity, captures the image of a crippled child helplessly watching an adult with a bag of grain. The picture does not mind that, five seconds before the adult had pulled the bag from the hands of small. The photographer was accused of passivity, sadly recalling the tragic story of another photograph .Fuente , 2 .
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A bull in the Gran Via
1928. Sheep and cows graze many cattle Madrid daily by the banks of the Manzanares River, which winds south of the capital. One of the bulls runs away and decides to enter the Puente de Segovia towards the center of the city. Seeding of feces and panic, the most famous cobbled the kingdom. In Madrid, the capital of most traditional crossbreeding, no shortage of fans and then, without magic, a bullfighter could appear from any corner and it was. Mazquiarán Diego or the "Fortune", will be remembered as the only bullfighter who has killed to 'coat' and a sword in the Gran Vía morlaco Source .
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Shacks in paradise.
1930. United States has just assumed the ' Great Crash '. A small shanty town has settled in what is now the most precious green floor New York, the very Central Park . The called Hoovervilles , named after the ineffectiveness of the then U.S. President, Herbert Hoover . The homeless are installed near the ' Belvedere Castle ', in what is called "The Street of depression." The settlement would disappear in April 1933 when work resumed adequacy of the park. Fuente , 2 .
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Mimicked Hitler.
1914. Adolf Hitler enlisted in the Bavarian army despite being an Austrian citizen. Excited about the new war, on August 2 that year comes in Munich at the mass demonstration in defense of the declaration of hostilities against Russia. Photography is not a relic rescued randomness. The snapshot was taken, and later retrieved, by Heinrich Hoffmann 's personal photographer in the end of the Great Dictator . Fuente. 2 .
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Innocents.
1984. December 3rd. 42 tons of a powerful pesticide leak to the atmosphere in the city of Bhopal . The 'Baghdad of India '. The poor maintenance and neglect sustained in the direction of the factory of Union Carbide caused a disaster of 'quixotic'. More than 20,000 people died, and continue to die, from the decomposition of the toxic cloud cyanide, phosgene and other gases. Tens of spontaneous abortions clogged the municipal hospital maternity Hamidia . The fetuses were retained and classified to study the causes of death. Fuente , 2 .
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The exchange of shirts that never took place.
1966. England World Cup. The hosts won in the quarterfinals to Argentina by one goal to nil in a game very harsh and controversial. Local coach, Alf Ramsey , had crossed the Argentine players of beasts and animals during the previous one. At the end of the race saw his right side George Cohen tries to swap shirts with the Argentine Mario Gonzalez . Without hesitation, she went swiftly to prevent the exchange under the watchful eye of the photographer who immortalized this affront to the basic principle of sportsmanship. Fuente , 2 .
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The humiliation.
1944. The majestic battleship USS New Jersey had served in the 5th fleet during the Allied assault on theMarshall Islands . In December of that year, and now as a member of the 3rd Fleet of the United States, moved to support the allied forces operating from the Philippines to Okinawa . In the photo, eminently propaganda, may be one of the Japanese prisoners-grooming and delousing-naked before donning the uniform of service and under the watchful gaze of the whole crew. Fuente , 2 .
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Children welcome committee.
1948. Berlin West. The Soviet Union had completely blocked the west of the city, threatening to starve more than two million people. President Truman decided to organize a flight to distribute more than 700 tons of food per week in what would be called the 'air bridge' American. The first flights brought joy and relief of the besieged while greatly angered the Soviets. It took a year and more than 27,000 flights in May 1949 the blockade would end up broken. Fuente , 2 .
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Showcase Cabezas.
1938. Porto da Folha , Brazil . Bands outside the law and acted with impunity multiplied in the northern half of the country. The struggle of the authorities to eradicate their illicit activities became paradoxical and absurd with displays of trophies of the clans arrested and executed. In the picture, the famous band ofLampião ( Virgolino Ferreira da Silva , his wife Maria Gomes Nice and nine squires) ... given their heads inert for the public scorn on the steps of the Church of Santana do Ipanema . Lesson tripe invented by the police as a warning to those trying to imitate criminals. Fuente , 2 .
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The loneliness of the shelter.
1966. Texas . USA. A student at the University of Austin named Charles Joseph Whitman becomes the author of one of the bloodiest massacres in the history of American college shootings to Virginia Tech in 2007 . On August 1 of that year climbed to the tower on campus with two rifles and two trimmed to kill 13 people and wounding 31 others. In the picture, one of the corpses lying very close to a pedestrian hidden and gripped by panic. Fuente , 2 .
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The gap left her.
1911. August 22. The walls of the Museum of Louvre in Paris with an absence dawn irreplaceable. The newspapers from all over Europe take urgent issues with the picture of the vacuum. The portrait that one day belonged to Louis XIV , who adorned the bedroom of the very Napoleon and who came from the hands of the versatile master Leonardo da Vinci was gone. An Italian carpenter hid overnight in the basement of the famous museum took the opportunity to pick the eternal smile of La Gioconda and hide it under his coat.The painting would recover a couple of months later. Fuente , 2 .
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The kiss.
1967. July 17. Florida. The American photographer Rocco Morabito is on duty for the local newspaper ofJacksonville when a loud noise surprised the way to his car. An operator of the national electricity lines had suffered a nasty shock of more than 4,000 volts and was unconscious hanging over 12 feet high. While trying to revive his partner with the 'kiss of life', Rocco took the opportunity to unsheathe the camera and produce prize Pulitzer in 1968. Source , 2 .

news by http://kurioso.es

THE ISO UNDERSTAND

THE ISO UNDERSTAND

“Property I now the correct ISO adjusted or not?”

If you surprise yourself to ask to you this question again and again then is this article for you. Because today we want to find out together, what actually means with the ISO. The ISO just as little with the beverage ISO star or the verb isolate to do has, is clear everyone. But which says the ISO now and for which stands the numbers? In order to find out, schaun we us only once a short video on.




So, now again to writing.

The luminous sensivity of your sensor or film describes the ISO. ISO stands for same standards for “internationally standard organization” and this is a committee for the definition from world-wide - in this case of the luminous sensivity.

ISO mechanism

Many cameras have as standard equipment an ISO mechanism preset, with which you the decision leaves, which luminous sensivity is now used to the camera. This can be very comfortable, in addition, to practice-rapid-end results to lead. I recommend to stop therefore always even the ISO.

The ISO stop

If you click on your digital mirror reflex or compact camera by the menu, you will find the letters I S O sometime. There evenly the luminous sensivity can be adjusted with most cameras. The number before or after the letters describes the current strength of the luminous sensivity. With usual cameras ISO 100 is niedrigst adjustable ISO and some cameras can up to ISO 3200 or still more highly adjust.


Luminous sensivity

The lower the ISO adjusted, is the sensor is the less sensitive then also for the incident light. To get that means that longer must be exposed, in order a well illuminated photo. , All the more is therefore sensitive and the shorter the sensor is the more highly the ISO adjusted for the light must be exposed. In both cases can be regulated over the screen and the exposure time.

Picture-rush

Well then thus always with highest ISO photograph, or? Wärs, because that beautifully raise the ISO values has a completely crucial disadvantage: Picture-rush. The quality of your photo decreases starting from a certain ISO number strongly. The picture krisselig, verpixelt and also the colors are less brilliant. The same phenomenon gives it also with the film, here it to “granulation” is nevertheless called, has however another origin than with the sensor.

Praxistipps

Attempts to keep the luminous sensivity your as small as possible to sensor. There are however quite situations, in which an increase is to harmless the ISO. Depending upon camera the noise up to a certain degree is quite passable.

If it is possible for you a stand to use, does that. Straight landscape photographs present themselves for this outstanding.

Increase the luminous sensivity only if it is not to be avoided. For example with concert photographs or Portraits with evening light - if no external lightning possibility exists.

If you photograph humans in the evening and stop you in a house, it offers with plug-on lightning at the cover/wall to flash oneself on. Thus the area is brightened up naturally and wraps the persons into a soft light. The employment of lightning can in some situations that increase the ISO's replace, must however not.

If you have now nevertheless a verrauschtes photo, which you would like to use can you with programs such as Neat image or the Noise Ninja the noise work against. You it should be nevertheless clear that these programs cannot replace a low ISO.

Info.: In this article I tried to explain possible fast and simply the ISO and not with many details dealt. If you however still open questions have - simply to place! By the way also many readers are here very competent and have perhaps better answers as I. Only too!


Craters in Planets with Photoshop


This tutorial tries to explain to you how to create your own craters on planets with Photoshop.
It is very important to understand that there are many ways of doing things in Photoshop and not only that I explained here. The objective of this tutorial is to give an idea of ​​how you can do and not to dictate how it should be. I encourage all who read this tutorial also experimenting on their own in addition to simply follow the tutorial. Aim to meet the program's tools and try to reach the same result with their own techniques. Also I will try to explain the "why" of the individual steps. So please do not just blindly follow all the steps, if not try to think through each step carefully and try to really understand what is happening and what is supposed to achieve.
With this in mind, let's cut to the chase ...
Step 1: Basic form and schedule
Open Photoshop and click File -> New. Create a new canvas with a width and height of 400 pixels. You can also use a higher resolution.Set the Foreground color to white and the background a little gray. The code I used was "5a5a5a." Press Ctrl + Shift + N to create a new layer. Name it "base".
In principle, we must see the overall shape of our crater. The craters are usually round it makes things easier.
Click the Marquee tool (M). Put it on elliptical after right-clicking on the icon and select "Elliptical Marquee Tool."
Now create a selection in the center of your canvas . Make sure you have enough space on the sides.





Creater on Planet 1
Fill the selection with white by pressing Shift + Backspace and then Enter, but do not deselect yet. The white circle marks the area inside the crater, which has a light opposite to the area around the crater.
Creater in Planet 2
Now let's get the selection by 1 pixel. To do this Click Select - Modify> - Collapse>. Type "1" in the dialog box and accept. You'll hardly notice a change in the canvas , but the selected area is exactly one pixel smaller on each side. Next, erase all that is in this new selection, with the tool " Eraser "or pressing Delete. You will be left with a thin ring blank.
Deselect.
Creater on Planet 3
Note:
This ring is the basis for the outline of the crater. Is the most enlightened and higher, which is why it is white. However, a crater is not perfectly round so add a touch more irregular in the next step to deform the ring slightly. In view of profiles, then red dots mark the area you just created.
Creater in the 3rd Planet
Step 2: Doing irregular
Well, now we have the outline marks the core area of ​​our crater. Press "Ctrl + N Shift + +" to create a new layer and name it "outline".
Now take the Brush Tool (B). and set the width of the brush to 1 pixel in the "Options" panel. On the layer "Outline" draw a circle by hand with a brush, without being perfect. Use the layer "base" as a guide. Make sure the circle is completely closed (This is important for the next step). The aim is to draw a circle which, however imperfect circular display. You do not want it to look oval.
Creater on Planet 4
Step 3: Inner Shadow
Now let's see first a little illumination. To clarify the way the light falls on a spherical object of a profile view can be very useful.
Creater in the 6th Planet
First hidden layer "base" so it will not now. Now take the "magic wand" (W) and select the layer "scheme". Click inside the circle. Space will be selected within the scheme. Create a new layer and name it "Inner Shadow". Place it under his cloak "Scheme"
Now take the Gradient Tool (G) and select Options Panel "radial gradient". Also set the foreground color to black and let the background color of the same gray "5a5a5a." Now make a gradient in your selection that extends from one end of the schema to another. Yourcanvas should now look like the image # 6.
Creater on Planet 6
Step 4: The Shadow Outside.
Once done, let's move to the area outside the crater. Select the "Profile" layer and once again take the "Magic Wand Tool" (W). This time, click outside the circle. Your selection now covers only the area on the canvas outside the body of the crater. Press Ctrl + Shift + N and name your new layer "Shadow abroad." This layer also has to be included under the cloak "Scheme". Then we will pull a gradient in the same way as before, only this time we will not use a background color. So take the "Gradient Tool" (G) again, but this time click the dropdown menu in the options panel and select "color-transparent front."
6b on Planet Creater
Now click and drag along the black line shown in image # 7.
Creater on Planet 7
Do this twice. Deselect. You should now have something similar to the image nr.8.
Creater on Planet 8
You may want to delete a bit of black on the sides with the tool eraser "(E). Be sure to use a soft brush with a hardness of 0% for this. I used one with a diameter of 150 pixels.
Note:
What we have now is a bit like a crater. It's time to explain how this will be adapted to the shape of a planet. What's done in this tutorial is to create the lighting of a crater. So if you put it on a planet will be mixed with the texture. Gray represents, in general, light texture. The crater shows where the black casts shadows. Then let's add some white to mark the parts that are more enlightened than the rest of the texture.
Take a look at the profile view of enlightenment. We have taken care to shade parts of the crater (with some fine tuning). What remains are the light parts.
Creater on Planet 8
Step 5: lit areas
Create a new layer and name it "outstanding areas". Select the layer "Outline" (which should still be in the top). Take the tool "magic wand" (W) and select the area outside the crater. Now set your foreground color to white and take the "Gradient Tool" (G) again. Keep the settings from step 4 and pull a gradient along the white line Nr.9 image. Do this twice.
Creater on Planet 9
Now select the area inside the crater. Create a new layer named "Outstanding interior" and fill in white (Shift + Del). Do not deselect yet, take the "Marquee Tool" (M). Click inside the selection and drag a bit at the address given by the white line in the image Nr.9.Your canvas should look like the image Nr.10.
Creater on Planet 10
Now you need to soften the selection. To do this click on Select -> Modify -> soften and type "30". Click OK. You will notice that your selection has become perfectly round. Make sure you are still working on his cloak "Highlights inside" and press Backspace 4 times.Deselect.
You will have deleted the white on the inside of your selection. With selection 30 pixels and smoothed beforehand has the effect of having no hard edges. The target is removed gently without hard edges that simulate the dispersal of light. The image shows Nr.11 what happened to me after completing step 5.
Creater on Planet 11
If you have not saved your work, better do it now.
Step 6: Too clean
Well, now we have the base of the crater made. The next thing to do is make the thing seem more real. This step will give you a little more randomness. It still looks too much like a plastic button. Create a new layer above the "Outline" and name it "Outline Detail".
Now take the brush "(B) and attach a diameter of 1 pixel in the" Options Panel. "Your foreground color should still be white. Now just try to make" Scheme "look a bit more random. Work with the brush to create denser parts and undulations. You have to zoom in on the image to do this. You can work with a 5 pixel brush with 0% hardness and set the opacity of the brush about 10%. You can do all this in the options panel.
Creater in 12th Planet
After finishing with the 5-pixel brush resize to 45 pixels brush and OPIC to 2% (All this is done in the options panel).
With this brush you want to work only inside the crater, so take the "Magic Wand" (W) and select the inside of the crater by clicking inside the crater in the layer "Outline". Do not forget to return to the layer "Details of the Scheme" before starting work again. If you want to play some more, try with brushes of different sizes, but beware of exaggerating node, otherwise it will be too small shadow in the crater. In the picture no. 12 can see how the crater could occur after the retouching.
Creater on Planet 12
For the grand finale try painting a little relief, as set out in the crater. There are no rules right here, making it difficult to give specific instructions. But overall I recommend a brush with an opacity of 10% or less and a variation in the size of the brush about 65 to 1 pixel.Make sure to use brushes with 0% hardness. Also check the space inside the crater with the "magic wand (W) to avoid affecting the edges. (Once again: do not forget to return to the correct layer). If you feel confident enough you can take" Smudge tool "(R) and use that resource as well.
Image no. 13 shows as our crater is completed. Save a JPEG copy.
Creater on Planet 13
Step 7: Putting on a planet
Welcome to the last stage where will the crater on the surface of a planet. I recommend a planet with a very subtle texture that does not stand out much. Here you can see the planet I've used. My image is the "Moonlands".
Creater on Planet 14
Now open the JPEG image of the crater, copy it on your planet layer. Normally do not mix very well.
Creater on Planet 15
While the crater layer is selected, press CTRL + T to transform it. Hold the mouse outside the layer. Now click and drag to rotate the crater so you can see in the image on the left. Do not press Enter yet ...
Creater on Planet 16
... and give a rectangular shape as seen in the picture. Having done this, press Enter to confirm the transformation.
Creater on Planet 17
Note:
Depending on where you want the crater have to move away from the square. This crater is to be placed in the top left of the planet.If you want to place it exactly in the middle it obviously has to stay square. The closer to the edge of the planet, the harder to deform.
Make sure the layer is selected from the crater and change the blend mode of it to "overlay". To do this, click the dropdown menu in the Layers window, where it says "normal". It will provide a list of blending modes. Hover your mouse over the "overlap" and click. Its crater should resemble the photo at right. You can then movel a bit to better suit the spherical surface of the planet. (Move a little to the upper left)
Creater on Planet 18
You will notice that the crater is now combined with the texture and color of your planet. Anyway, should still be able to distinguish the square edges around its crater. To get rid of this press CTRL + L to enter the dialog "Tiers". Now move the slider to the right half or left until you see the border disappear. If you can not get the edge completely disappears, zoom and simply delete the edge with a soft eraser.
Creater on Planet 19
If you are unhappy with the location or size of the crater can move a bit and maybe change their size by pressing CTRL + T again. To maintain the proportions of the crater hold "Shift" while resizing. The right image shows my final result.
Creater on Planet 20
If you want more than a crater, just repeat this step a few times. I recommend that you make a variacipòn of sizes and place them on the entire surface of the planet since the end result would be very monotonous.
Congratulations. Crater has created its own in Photoshop!
I hope you enjoyed this tutorial. Please do not hesitate to send a link to anything that might be able to achieve after following these steps. 


I can find www.baro.deviantart.com
Atte Greg

The depth of field

The depth of field

Depth of field: The distance between two nearby areas, and further away from a subject with clarity.

Normally when we try to get pictures maximum sharpness throughout the image, but sometimes we do not intentionally or otherwise. The depth of field is linked with the diaphragm, as this will be higher with apertures (f/16), with the apertures (f/2.8), ie more or less clearly in the picture.


As we can see the diaphragm is very important, because two same pictures can totally change the same image. If the distance between the main subject had not been so far the fund had not been so exaggerated the difference between the two diaphragms. For example: If you do a portrait with a wall behind the subject, and the distance between the two outside 1m or less, the effect of the diaphragm would not have been so exaggerated, and the images have been quite similar.

So you get a great field porfundidad when:

- The f-number is high (small opening)

- The subject is far

- The short focal length (50mm or angular)

 Depth of Field Exercise

Best to finish to understand if there is any doubt, it is very easy, all we need is a camera, a reel, a tripod and a 50mm lens or higher.

The exercise is to find some place preferably outdoors, in which the photograph would have to have an object in the foreground of 1 to 5 m, and a depth of 10m to infinity (these distances are for guidance only).

The frame could be a statue, and a building behind it. Then he tries to put the camera on the tripod and the lens focuses the statue.

Now what is done is without changing the frame without touching the focus be making a picture for each diaphragm, starting with the most open. Example: f/2.8, f / 4, f/5.6, f / 8, f/11, f/16, f/22 ......

Note: When we change the aperture, we have to speed down a point, because if they go wrong exposed.

And especially the diaphragm and speed point that we are using a notebook, then to see pictures taken and see how we have done, because if not then we would not know the exposure used for each image.

Finally, note that there are cameras on the market that have the option of the depth of field, which will allow us to see the final picture.

 Article provided by: A. Gongora

ANALYSIS OF DIGITAL CAMERAS

ANALYSIS OF DIGITAL CAMERAS

Potential buyers, and users, devour the pages of digital model analysis, looking for advantages and disadvantages of one model or another. But to what extent they are reliable? No doubt they are made with rigor, but most have been done with cold mathematical.

Analysis:

- Charter Resolution: A letter of resolution is a practical tool to learn the reading skills of horizontal and vertical lines of a camera, but resolution not necessarily equal clarity.


At others, and an optical zoom-n essential part of a camera when assessing their ability to read - we must be aware that their performance is not equal in all its focus, despite this, most ignorant analysis that focal tested, since their behavior can vary greatly depending on the chosen focal length , while the values ​​of resolution, definition, chromatic aberration, color ... can be mixed.

- Color Chart: The ability to distinguish colors on a card is a valid test to give us an idea of the ability to deliver color and tonal range possible, but not necessarily the actual color, or better yet, the color that we like . Consider for a moment in the "classic" film photoresist, each user chose that movie that provided the hues, saturation and contrast, more in tune with your tastes.

       
        
        
        



 Letter of gray: The ever-annoying "noise" is another element of greatest concern, and strive examining graphs, charts gray ... But give it may mean giving up quality. We explained, models that have a very low noise level, especially those with small-sized CCD and high number of pixels, offer in exchange soft-soft-image, lack of detail or high-contrast shadows but pasture and lack of detail.

             
     

Please consider:

The truth is that to strike the perfect model would have to give more value to the images, ie in print lab generous size - depending on the resolution, where we could really judge the performance of the model in question, according to our tastes. It is true that many of the articles, dedicated to a particular model, we have access to the photographs taken on this, but using the parameters used the default camera, which does not give us a real insight modificásemos capacity if the contrast values, definition, color saturation, and even color mode (sRGB or AdobeRGB to exist this option).

    

In short, the data analysis and should be taken as indicative, not absolute terms. We have provided a digital model we tried our best, performing all the photos that our limited time allows us, and we spent only a comment of opinion, without going into excessive detail, those chambers in which our attention good performance, considering the binomial quality / price.

There is a section that many prospective buyers forget, and is undoubtedly of vital importance, we refer to their external appearance and ergonomics, to which we could add functionality or comfort. In all these elements come into play a series of subjective questions that we can not ignore. Our camera has to like and please your grip is comfortable and functional, in short, there must be a certain empathy camera / photographer, otherwise the end will be cornered and doomed to oblivion well it works.

Ricardo Salgado fotobasica.com 04/02/2004

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